Mark Twain’s “Two Views of the River” Essay

Mark bracings Two Views of the River scoreers devil distinct tracks of how to key the world. One is to see the world with a childs eye. thither is a certain level of amazement and wonder in eyesight something for the graduation exercise time or seeing something distinct in something very familiar. There is an exploration and a discovery involved. There is poetry. then(prenominal) there is the other way of looking at things and seeing only the mundane. Here, mickle are seeing things and accepting that there is nothing extraordinary with things.This happens quite often when people see a give or a thing and only see the possible side. There is less wonderment and more(prenominal) analysis as to why it is there, what is its usage and how does it affect people. From a colorful poetic view, it becomes a practical nonchalant way of seeing the world. To capture such feeling in film, one must first focus on the first way of looking at the world. This involves seeing things for t he first time with perplexity and wonder. It is poetic in a sense that almost every sm alone detail has a clandestine incriminateing and offers something worthy of camera time.Therefore, it should start with a long dead reckoning of the whole scene. And then it follows the archives and zooms in into the details. This offers the effect that from the outside one notices the big visualise but is affected more by the details. This puts emphasis on the significance of everything from the changing river to the ripples of the weewee to the shore. Close-up shots of the river, the rivers changing colors, the sun, the ripples, the shoreline and the woodland should be taken. separately rive should be consistently given importance and time. This creates the effect of taking it all in.Each part contributes something beautiful to the whole scene and must be portrayed as such. The second scene would be about how a scene fades from being novel into something being practical. The key in giv ing off this kind of feeling is to look at how the small details fit into the big picture. Here, Mark gallus says how the sun tells of what the weather will be or how a floating log means that the water level is increasing. Everything is connected to each other and its importance is seen in how it contributes to the big picture. As such, it is good to go and reverse what was done on the first part.From the close-ups, the camera can pan out of the woodland and the riverbank through the river and end up with a zoomed out picture of the whole scene. It could also be shot in black and white while the other scene is shot in color. This does not mean the second more practical side in seeing things is less important. It does give off a dulling effect from something poetic to something practical. However, it also gives a larger view of the scene and as such, the viewer is adapted to see more and can use more what he sees for his everyday life. He sees the importance of things alternative ly of its aesthetics.The effect of both scenes is like how a child and an adult experience the city. The first time, as a child, one sees the city with its big buildings and assortment of. One notices first the different buildings and shops and lights. Each reminds that this is no long-run home. There is something foreign in the air. The sounds of the city are loud as it is a mixture of people talking and cars going by. Then there are heaps of people, each dressing differently for different purposes. There is something amazing with being in the center of such a busy world where everything is in constant motion. But as an adult, the city is no longer such an oddity.It becomes an everyday experience. The mass of people, cars, the noise, the shops, the buildings all fade into the background. Everything is accepted as part of reality. There is no longer amazement in knowledge new things. When people go to the city, they no longer look from left to right soaking in every detail. They s imply go about their business without paying much attention except to see which route would go fastest or what store offers a better price. Such practicality becomes the main way of looking at things. This paradigm happy chance is the effect needed in portraying Mark Twains Two Views of the River.There should be two clear distinct scenes a colorful and all-inclusive in awe scene and a more practical scene that looks at the big picture. This shift and the difference in the shots give off how people change in how they see the same things. From seeing the small details and reveling in them for the first scene, the last scene goes back and looks at the big picture and how it affects the viewer. The details are not in focus and the color fades. However, one is able to see a larger view of the world. This contrast between both scenes leaves, at the end, an open ended question regarding which point of view is better.